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Beaumont Piper Flute

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The Beaumont Piper has really made waves in the entry-level flute market and has proved popular with teachers and technicians alike. Each instrument is fully set-up and regulated in Beaumont's UK workshop before distribution. The quality extends beyond the construction and durability - the Beaumont Piper really sings beautifully.

 

Recommended Retail Prices

Mark I £199.99  (limited stock please enquire)
Mark II £249.99
Curved Head I £259.99
Curved Head II £299.99

 

Nickel-silver body, silver plating

The most durable construction for a beginner flute

Extra thick plating resists scratching and tarnishing

 

Hidden Adjustment Screws

The Piper II has hidden adjustment screws to prevent contact while playing. Aesthetically preferable and far more durable.

 

Double-ringed stylised keys

This unique feature offers greater grip and encourages correct finger positioning - aiding the transition to open-holed flutes

 

Cork bumpers

Cork, not plastic bumpers and trills for a quieter and more stylish mechanism

 

Soft shoulder carry case

A fully padded and sturdy shoulder carry case

 

Cleaning rod and cloths included

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Review by Stephen Howard - Woodwind Repairer and Restorer, author of Haynes Saxophone Manual

"This flute, the Beaumont Piper II, comes in at £249 and has all the usual features you'd expect, such as a silverplated nickel-silver body and head, ribbed construction, rolled tone holes, low C foot joint and a split E mech. The body and fittings are nice and neat, with none of the jagged edges that seem to crop up on the very cheapest flutes, and the plating looks to be very even. A close examination of the tone holes reveals nothing untoward - they're all neatly finished and, most importantly, level. Both the head and foot joint tenons slide easily into their corresponding sockets, with just the right amount of stiffness to ensure a snug but easily adjustable joint. Not a bad start then, but to be honest I've seen similarly well-built flute bodies on slightly cheaper brands - it's in the keywork where the money starts to run out. And in the case of the Piper it appears that the money has been well spent. It really is impressive...

Best of all, it's almost entirely devoid of free play. For sure, if I'm really, really picky I can point to a microscopic touch of end-to-end play on the F key, but certainly not enough to be concerned about and definitely not enough to affect the playability of the instrument. That's pretty good going - I'm applying a standard I'd use on a £500+ flute to one that costs a couple of hundred quid. It's astonishing, in fact. Even better, I found no free play at the pillar where the lower stack meets the upper stack. It's very common to find a spot of free play here, and it can have a dramatic effect on the accuracy of the lower stack action as well as making the forked Bb very hit and miss.

It made very short work of a number of cheaper (but nonetheless respectable) flutes, and although double the price of these competitors it gave more than double the performance. The lower end is remarkably powerful - a lot of flutes run out of steam in this range, with the notes becoming quieter and indistinct, but the Piper maintained a nice crispness right down to low C. That's easy enough to do if you make a flute bright, but that often mean the upper register will make your ears bleed. Fortunately the Piper's brightness remained tempered and even across the range. The upper register just sings - it's clean, detailed and smooth where a lots of cheaper flutes tend towards gritty and harsh - and it wasn't until top B that the money ran out and the flute began to kick back and ask the player for more breath support. Perhaps the best aspect of the Piper is its tonal variability. You really have to go some way to push the notes over the edge. You can take it from piano to fortissimo in an instant and the tone remains rock solid. This feature prompted one tester to exclaim "By 'eck! This is good!"- high praise indeed when you consider that her own flute cost around half the price of a small car... this flute sets the benchmark for £250 - and I really don't think you'll beat that in a hurry...unless you're prepared to spend close on £500."

For the full review please see here

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User Reviews

Average Rating: review review review review review (2 reviews)


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review review review review review by Nicole on 31 Aug 2010, who wrote:

"Having tried the Beaumont Piper recently, I would say that it is a welcome addition to the beginner Flute market. It is slightly more expensive than the most basic of beginner models, but worth it in my opinion. I was impressed by the clarity of the tone in the higher registers; it plays very easily at the top for a Flute in this price range. The hand engraving on the headjoint is a nice touch, and the quality of the silver plating and overall construction is very good. High quality pads have been used and the mechanism moves freely and easily. With these personal touches and attention to detail, it has a much better feel than many of the basic chinese factory made instruments that have recently come into the market, and I would recommend it over any of those models. Nicole Leclercq, Professional flautist and teacher"

review review review review review by Miranda on 24 Aug 2011, who wrote:

""The Beaumont Piper is a welcome addition to the fluting world. As a beginner I learnt with Yamahas and have been recommending them to my flute pupils as a place to start. However, they are not easily affordable if bought new. The Beaumont Piper I by FriendlyFlutes retails at £199, and you definitely get your monies worth and more" Aesthetics The flute comes as part of a package with a sturdy light travel case, rod and cleaning cloth. The case is durable and the flute does not rattle around inside, it fits perfectly and would be fine being thrown over shoulders, and in the piles of instruments that usually collect in school practice rooms. The silver-plated nickel-silver body results in a strong yet eye-catchingly shiny instrument. A lovely feature of the Piper are the double ringed keys, helping young flautists to learn correct finger positioning right from the start, as well as giving the Piper a refined and professional look. This feature could assist with the transition from closed to open holed flutes later on in the pupil’s career. Another nice touch is the engraving on the head joint, as is the use of corks in preference to plastic bumpers. Weight I am a huge fan of light-weight flutes; the Piper weighs virtually nothing compared to models such as Blessing and Jupiter. Mechanism The mechanism is highly responsive and light to the touch. There are no problems with clunky movements and the flute has been expertly finished and finely tuned. The foot joint mechanism is slightly harder to use than the rest of the body but remains a huge improvement on many beginner models. Sound The Piper has a good range of colours in the sound, from light and airy to deep and powerful. The low C and highest octave were easy to play, which is undoubtedly the hardest for a new student to learn. I could play extremely loudly and quietly with no intonation problems. The sound is very stable but also has room for creative feeling from the performer. Overall quality Very nicely set up by Friendly Flutes; there was no air escaping from any pads, and the sound quality is that of a flute worth £500. It is very comfortable to play, as it is so light and responsive. I can recommend this flute to beginners looking for something that will last them until about grade 5, and to anyone looking to get back into playing the flute and wanting to get a great sound easily and instantly." Review by Miranda Gunn - Jazz flautist, teacher, and writer for the British Flute Society"

These reviews are the personal opinions of Beaumont Woodwind customers only. If you have a problem with any of these reviews please contact us.

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